Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

THE GREEK PLAYS IN THE 2021 SEASON

THE GREEK PLAYS IN THE 2021 SEASON

This new season of Greek plays represented in the Greek Theatre of Siracusa sees two tragedies The Menads by Euripides and The Libation Bearers / The Furies by Aeschylus , and the comedy The Clouds by Aristophanes. The plays are on from the 3rd of July to the 21st of August.

It is an unforgettable experience in an unique place: a theatre entirely carved out of the stone with an extraordinary natural backdrop and modern arrangements for both plays to remind us that there are stories and places which have no time.

In The Libation bearers/The Furies we see a world of ice where the sun has imploded like in the most catastrophic prediction. People want to establish the order which was before Agamemnon was killed . The goddess Athena will bring back the democracy and the social order. There are references not only to politics and law, but also to the most intimate feelings which link a mother and a son, Clytemnestra and Orestes.

What happens when Dionysus the God of wine is a woman? In the play The Bacchantes women are inspired with a feeling of rebellion against the king. As soon as Dionysus (whose role is played by an actress) approaches the town of Thebes, all women retire on Mount Citerione. Pentheus, the king, wants to maintain the social and political order and not only he denies the existence of divinity, but he condemns women’s behaviour. Emphasising the slogan “Todos somos Bacchos” the women’s chorus protests against a world ruled by men. They want to reestablish the ancient order when the Mother Goddess was as the only divinity.

Order and disorder, sense and fury, man and woman, in this dichotomy Dionysus prevails when the God/Goddess approaches the stage like a Deus ex machina from the sky. The show becomes an amazing performance with dancers flying up on the stage and you feel the power of Bacchus .

For any other information check the website https://www.indafondazione.org/category/news/news-la-stagione/.

The Libation Bearers/The Furies by Aeschylus directed by Davide Livermore
The Bacchantes by Euripides directed by Carlus Padrissa (La Fura dels Baus)